“Homebound” is further proof that character-driven horror movies can offer some great scares without having to use over-the-top tactics. Holly (Aisling Loftus) is understandably …continue reading Reel Review: Homebound (2022)
“The Sadness” is another zombie film that somehow becomes so much more — in the most unexpected of ways — rising to the cream …continue reading Reel Review: The Sadness (2021)
“Dawning” is a poignant — at times terrifying — meditation on grief, trauma, and letting go that left an indelible mark on this viewer. …continue reading Panic Fest: Dawning (2022)
“The Creeping” is a simple but well-made and effective spookfest about a family home haunted — in the literal and metaphorical sense. Making good on …continue reading Panic Fest Review: The Creeping (2022)
The concept is intriguing, but “Escape the Field” doesn’t do enough to keep from getting lost in a field of more compelling content. It …continue reading Reel Review: Escape the Field (2022)
Memories, repression, and the psychology of cults are mined in impressive fashion throughout “The Aviary”, a tense and absorbing thriller. From directors Chris Cullari …continue reading Movie Night: The Aviary (2022)
“Like Dogs” is a clever and compelling psychological horror film that once again proves the adage that humans are the scariest animals. Remember those …continue reading Reel Review: Like Dogs (2021)
“Confession” boasts an intense, real-time thriller — one priest, one wounded man, one night in a church. Is it sinfully good or a holy mess? …continue reading VOD Verdict: Confession (2022)
The seemingly effortless cohesion between the directing, writing and acting help elevate this surprising gem of an indie horror film. We’re All Going to …continue reading Reel Review: We’re All Going To The World’s Fair
Incorporating different emotions and ideas into a cohesive tale, “The Cellar” uses classic storytelling to scare and intrigue its audience. After making its world …continue reading Reel Review: The Cellar (2022)
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