A strong, deeply personal feature directorial debut, “Heir of the Witch” offers much for fans of folklore and gothic, supernatural horror. Heir of the …continue reading Reel Review: Heir of the Witch (2023)
Don’t let the sequel curse fool you; “Curse III” is only a sequel in name and boasts a strong, supernatural story with rich African …continue reading The Daily Dig: Curse III Blood Sacrifice (1991)
Set 6 years after the events of “Halloween V”, we conclude the infamous ‘Thorn Trilogy’ with “Halloween VI: The Curse of Michael Myers”. Most …continue reading Drekculas Underworld: Halloween VI (Curse)
Drek is back with the “Halloween” franchise entry that made fans lose their minds in 1982; must be the “Season of the Witch”! Tonight, …continue reading Drekculas Underworld: Halloween III (Season of the Witch)
We long for the tender embrace of the witch’s anus again as Nick Kroll returns as Simon the Devious, while Colin battles for control …continue reading What We Do in the Shadows (Season 2, Episode 7)
Inspired by true events, “Stay Out Stay Alive” is a chillingly convincing tale of what happens when the darker side of human nature takes …continue reading Portland Horror Film Fest: “Stay Out Stay Alive”
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Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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