This wonderfully shot and poignant film was denounced in its time, but it touches on abuses that still plague society as a whole. A …continue reading Daily Dig: Never Take Candy From A Stranger (1960)
While you may be tempted to curl up with an old favorite this Halloween, consider giving something new a try using this helpful guide. …continue reading Like That, Try This: Halloween Edition
A loose adaptation of a Bram Stoker story by Hammer Films, it has the right vibe and a great starlet going for it… but …continue reading The Daily Dig: Blood from the Mummy’s Tomb (1971)
Our next stop on our trip around the horror world is England to explore a bit of hallowed horror history and pay tribute to …continue reading Around the World in 80 Films: England
Scream Factory has once again delighted Hammer fans with the stunning release of the hard-to-find (until now) 1967 film “Quatermass and the Pit”. First …continue reading Scream Factory Friday: Quatermass and the Pit
Havenhurst is a visual treat; A slow burning, film noir-inspired house of horrors Havenhurst tells the story of Jackie (Julie Benz), a troubled young …continue reading Reel Review: Havenhurst (2017)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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