“Psychosis” is a creative, near flawlessly executed, remarkably weird film that offers viewers a truly memorable experience. PARACUSIA: Perceiving sound without auditory stimulus In …continue reading Reel Review: Psychosis (2023)
Full of humor, charm, and heart, “Forever Home” is a wacky, sometimes messy comedy that is light on scares but heavy on creativity and …continue reading GenreBlast 2023: Forever Home
The love letter to our favorite holiday, 10/31, is back with its third chilling and thrilling Halloween horror installment, 10/31 Part 3. Just in …continue reading Trailer Park: 10/31 Part 3
“Capsules” is a contemporary cautionary tale and a modern-day fable with an intriguing concept, but your mileage may vary. If someone offered you a …continue reading Tubi Tuesday: Capsules (2022)
“Wolfkin” is bursting at the seams with potential, but it fails to offer enough tension, horror, and meaty development to satiate genre fans. Wolfkin …continue reading Reel Review: Wolfkin (2022)
The sadistic Aussie export “Beaten to Death” is unspeakably nasty, nihilistic, and sickeningly vicious — a masterpiece of monstrosity. I used to think the New …continue reading Movie Night: Beaten to Death (2023)
“Publish or Perish is a light, dark comedy in the heart of academia that scores some points but fails to move to the head …continue reading Reel Review: Publish or Perish (2023)
This week, we review two wildly different films, the newly released “Bootyology” and the upcoming true-crime thriller “The Black Mass”. We begin as we …continue reading Adventures in Movies: “Bootyology” and “The Black Mass”
“Failure!” is a riveting single-take chamber piece that impresses in every way, anchored by a spellbinding performance from Ted Raimi. Ingmar Bergman is my …continue reading Reel Review: Failure! (2023)
A microbudget, mind-bending horror film, “Subject” is intense and intelligent, evocative and emotional, and effective on many levels. This Aussie indie horror gem hooked …continue reading Reel Review: Subject (2023)
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