While it doesn’t go for the horror jugular, “The Innocents” is a quiet but chilling arthouse thriller that promises to get under your skin. …continue reading Shudder Sunday: The Innocents (2021)
Full of humor, charm, and heart, “Forever Home” is a wacky, sometimes messy comedy that is light on scares but heavy on creativity and …continue reading GenreBlast 2023: Forever Home
Better than its predecessor in almost every way, “The Nun II” will still have its detractors but undoubtedly does a hell of a lot …continue reading Movie Night: The Nun II
“Capsules” is a contemporary cautionary tale and a modern-day fable with an intriguing concept, but your mileage may vary. If someone offered you a …continue reading Tubi Tuesday: Capsules (2022)
A difficult but highly rewarding watch for brave viewers, “Megalomaniac” is an intensely brutal film about the dark side of humanity. Like many horror …continue reading Reel Review: Megalomaniac (2022)
An effective, fast-moving anthology that makes masterful use of its limited resources, “Project Eerie” is a found footage film that works. Written and directed …continue reading GenreBlast 2023: Project Eerie
Full Moon’s “Jack Attack” sticks the landing, but the brief journey to get there feels longer and more prodding than it should. Anything released …continue reading Reel Review: “Demonic Toys: Jack-Attack”
“Wolfkin” is bursting at the seams with potential, but it fails to offer enough tension, horror, and meaty development to satiate genre fans. Wolfkin …continue reading Reel Review: Wolfkin (2022)
The sadistic Aussie export “Beaten to Death” is unspeakably nasty, nihilistic, and sickeningly vicious — a masterpiece of monstrosity. I used to think the New …continue reading Movie Night: Beaten to Death (2023)
“Publish or Perish is a light, dark comedy in the heart of academia that scores some points but fails to move to the head …continue reading Reel Review: Publish or Perish (2023)
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