
Though it often gets a bad rap violence and victimization of women, the horror genre is surprisingly feminist; far more so than other genres. …continue reading Why Horror is the Most Feminist Genre

Though it often gets a bad rap violence and victimization of women, the horror genre is surprisingly feminist; far more so than other genres. …continue reading Why Horror is the Most Feminist Genre

This February marks the 11th Annual Women in Horror Month (WiHM), a grassroots initiative to showcase the underrepresented work of women in the genre. …continue reading Women in Horror Month 2020

“Prevenge” is a unique, female-driven slasher about a pregnant woman whose unborn baby may, or may not, be pulling the strings on a slew …continue reading Terror Tuesday: Prevenge (2016)

“THE SHIVER OF THE VAMPIRES” offers an interesting perspective on queerness and sexual liberation, along with Jean Rollin’s unmistakable style. Jean Rollin is one …continue reading Sapphic Sunday: The Shiver of the Vampires (1971)

The indie horror comedy “A Serial Killer’s Guide to Life” delivers plenty of jokes — and blood — at the expense of self help gurus who …continue reading Reel Review: A Serial Killer’s Guide to Life

“SWEET, SWEET LONELY GIRL” is a Gothic thriller recalling 70s arthouse horror, with themes of queerness and women’s sexuality as corrupting forces. Welcome to …continue reading Sapphic Sunday: Sweet, Sweet Lonely Girl (2016)

Much like its 1974 predecessor, 2019’s ‘Black Christmas’ has a lot to say about the world women live in, feminism, and toxic masculinity. Through …continue reading Black Christmas (2019): Continuing a Radical Legacy

“The Nightingale” is much more than a tale of revenge. It’s about breaking points and the brutality left in a person when you take …continue reading Take Two Review: The Nightingale (2019)

The genre-bending “The Wind” explores the terrors of the isolated prairie, with a slow-burning horror that creeps up on you like a cold chill …continue reading Take Two Review: The Wind (2019)

Don’t miss one of the most talked about films of the year: Jennifer Reeder’s “KNIVES AND SKIN”, a dreamy neon noir about death, identity, …continue reading Reel Review: Knives and Skin (2019)
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