Deep messages are glossed over as bovine blood flows like a river in this seedy foray into the mind of a nascent serial killer. …continue reading The Daily Dig: The Cannibal Man (1972)
The type of film that becomes a guilty pleasure, “The Car” features a killer car and was created by Hollywood vehicle legend George Barris. …continue reading The Daily Dig: The Car (1977)
A natural horror film that should have relied on camera tricks instead of special effects to make its killer creatures more scary than lame. …continue reading The Daily Dig: Nightwing (1979)
A solid Giallo film that drops the ball a bit when the “whodunnit” is revealed, “Eyeball” is still a fun watch. A killer cuts …continue reading The Daily Dig: Eyeball (1975)
Riding the coattails of the sharpest jaws in the sea, this guilty pleasure of natural horror even recycled a shot of Bruce the shark. …continue reading The Daily Dig: Grizzly (1976)
A snapshot of the zeitgeist of the late sixties that plays like a public service announcement for parents to keep their kids locked up. …continue reading The Daily Dig: Hitch Hike to Hell (1977)
Great scenery and production design gild this mess of a story inhabited by the most beautiful people you can put on celluloid. Unrelated groups …continue reading The Daily Dig: The Murder Mansion (1972)
Tobe Hooper follows up “Texas Chainsaw” with a wandering plot that is extremely stylized and filled with prophetic horror history. The owner of a …continue reading The Daily Dig: Eaten Alive (1976)
The first adaptation of Peter Straub’s work is rich with meaning and tone and beautifully shot, though it’s short on the scares. A grieving …continue reading The Daily Dig: The Haunting of Julia (1978)
A daring commentary on gender roles, sexuality, and equal rights wrapped with an appealing gothic horror tale and even more appealing actors. A newlywed …continue reading The Daily Dig: The Blood Spattered Bride (1972)
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