A solid Giallo film that drops the ball a bit when the “whodunnit” is revealed, “Eyeball” is still a fun watch. A killer cuts …continue reading The Daily Dig: Eyeball (1975)
In our new column, we share the latest Blu-ray releases from our favorite indie distributors — from cult classics to long-lost gems. The holidays …continue reading Indie Release Radar (Feb 2022)
Amazing creature design makes this must-watch a shoo-in for all the “Best of the Worst” lists from the 80s and 90s direct-to-video horror. A …continue reading The Daily Dig: The Boneyard (1991)
Birthed from the literal gutter, this 80s holdover has no qualms handling a heavy subject like feticide — then letting it commit homicide. A woman …continue reading The Daily Dig: The Suckling (1990)
If the past year has taught us anything, it’s the value of movies. And while streaming ruled 2020, physical media still has a place …continue reading Resolving to Collect More in 2021
We review the 88 Films remastered release of “The Green Inferno”, the unsung sequel to the controversial video nasty “Cannibal Holocaust” (1980). For years …continue reading New on Blu: The Green Inferno (1988)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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