“We Are Not Alone” has interesting ideas, but those looking for sincere evidence of extraterrestrial intelligence should look elsewhere. We Are Not Alone takes …continue reading Real to Reel: We Are Not Alone (2023)
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A contained sci-fi horror that focuses on characters instead of gags and effects but fails to make anyone likable; not much to chew on. …continue reading The Daily Dig: The Alpha Incident (1978)
Chaos and Carnage share their fever dream, reliving the worst “Prom Night” in history and trying to avoid whatever lurks in “Dark Skies”. As …continue reading They Mostly Podcast at Night: Prom Night
Some like it weird, and “Extraneous Matter” more than delivers the surreal and subversive titillation, but it’s also strangely beautiful. For some, watching a …continue reading GenreBlast 2022: Extraneous Matter
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The Adventures in Movies crew discusses Jordan Peele’s latest arrival and asks if “Nope” is a masterpiece or an overhyped letdown. ABOUT THE EPISODE: …continue reading Adventures in Movies: “Nope” Special Edition
For horror fans hoping for another home run from celebrated filmmaker Jordan Peele, his latest “NOPE” absolutely does not disappoint. In just six years …continue reading Movie Night: Nope (2022)
Not the typical camp you would expect from a Larry Cohen production, the horror here feels all too real in today’s America. When seemingly …continue reading The Daily Dig: God Told Me To (1976)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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