From K-OKLA to WLST, Caroline Williams arrives on new airwaves in “Ten Minutes to Midnight”, proving the sun hasn’t set on her bright career. …continue reading Caroline Williams and the Rise of the Ageless Icon
On this episode of the podcast, we journey into the misunderstood woods with “Texas Chainsaw Massacre 2” and “Storm Warning”. THIS EPISODE: “Texas Chainsaw …continue reading Not Your Final Girl: Misunderstood Woods
Join us for a journey around the world, where we explore the best horror from 37 countries — beginning with the most American horror film …continue reading Around the World in 80 Films: The Journey Begins
Southern Charm: Interview with Caroline Williams, discussing her “Texas” roots, the role that made her an icon, and her successful career in the genre. …continue reading Women in Horror Spotlight: Caroline Williams
An in-depth interview with versatile actor and beloved horror icon, Bill Moseley, discussing his successful, 30+ year career in the genre (part 3 of …continue reading Horror Heroes: Bill Moseley Interview (3 of 3)
An in-depth interview with versatile actor and beloved horror icon, Bill Moseley, discussing his successful, 30+ year career in the genre (part 1 of …continue reading Horror Heroes: Bill Moseley Interview (1 of 3)
31 Days of Horror: Day 15 Old 37 (2015) is another film supported by crowdfunding efforts, which has become an increasingly popular funding strategy for …continue reading Reel Review: Old 37
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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