Fessenden’s contemporary take on Frankenstein is a heartwarming, humanizing, and heartbreaking coming-of-age creature tale led by a brilliant performance. “You brought the war home …continue reading Take Two Review: Depraved (2019)
If you missed “Pledge” earlier this year, now is a great time to catch this dark and compelling tale of three unlikely heroes who …continue reading Take Two Review: Pledge (2019)
If you missed “I Trapped the Devil” earlier this year, now is a great time to catch this tense and terrifying film set against …continue reading Take Two Review: I Trapped the Devil (2019)
An interesting twist on the survival thriller genre, “Radioflash” is a journey to a dystopian future where staying alive is the name of the …continue reading Reel Review: Radioflash (2019)
“Greener Grass” is a hilarious, absurdist black comedy about the crippling desire to fit in at all costs and the futile pursuit of perfection. …continue reading Reel Review: Greener Grass (2019)
We talk with the talented filmmaker behind the new, must see indie horror film “Trespassers”, Orson Oblowitz and discuss what makes this film so …continue reading “Trespassers” Review and Filmmaker Interview
If you’ve always felt that a traditional Western would make beautiful music with a classic horror premise, then “The Wind” may strike a perfect …continue reading Terror Tuesday: The Wind
The best Twilight Zone isn’t from Jordan Peele’s revival series. That honor belongs to Josh Lobo’s exceptional debut film “I Trapped the Devil”. “Ancient …continue reading Reel Review: I Trapped the Devil (2019)
“The Wind”, a subjugation of isolation set in 1889, diminishes modern relationship woes, as the dread of loneliness builds to a crescendo of desperation. …continue reading Reel Review: The Wind (2018)
“Pledge” answers the deep question all horror fans want to know: what would “Revenge of the Nerds” look like if it were made by …continue reading Reel Review: Pledge (IFC Midnight, 2018)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message
Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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