This month, we say goodbye to Sunnydale with an exploration of the complicated relationship between Buffy and Spike and the 2+ decade legacy of …continue reading I Spit on Your Podcast: The End of Buffy
Wes Craven’s The Last House on the Left is a divisive exploitation horror film, but it provides a look at what happens when women aid men in the active harm of other women.continue reading Digging Deep: The Last House on the Left
Beloved Frankenstein author finally gets a biopic, which captures the drama of her life but skimps on character.continue reading Reel Review: Mary Shelley (2018)
With its small cast and claustrophobic atmosphere, Emily Moses’ debut feature BLEED WITH ME is an eerily intimate tale of isolation, self-destruction, and codependency.continue reading Fantasia Film Festival: Bleed With Me (2020)
Emily Harris faithfully reimagines CARMILLA in this beautiful and haunting tale of young love, repressed desires, and the ever-present fear of the Other.continue reading Sapphic Sunday: Carmilla (2019)
An artsy horror flick that relies more on imagery than storytellingcontinue reading Fantasia Film Fest: Hunted (2020)
In the world of elevated horror, Ariel McCleese’s works are must sees.continue reading Horror Short: “Hexatic Phase” by Ariel McCleese
We dive into the cagey issue of class division and representation in horror — from classic 80’s slashers to modern socio-political thrillers. THIS EPISODE: …continue reading Not Your Final Girl: Rabbits in a Cage (Class in Horror)
Telepathic powers, baby-snatching cults, psychiatric wards, vengeance plots…The Dark Red packs a big punch into a small budget movie, and pulls it off almost flawlessly.continue reading Reel Review: The Dark Red (2020)
We proudly debut the female-driven “Not Your Final Girl” podcast on our network, beginning with a discussion of the ‘true story’ horror sub genre. …continue reading Introducing: Not Your Final Girl Podcast
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