“Like a Dirty French Novel” is a low-budget labor of love; a bizarre film-noir mashup with interesting ideas beneath a schlocky exterior. I’m not …continue reading Dances With Films Review: Like A Dirty French Novel (2021)
To call “Generation Wrecks” a teen movie or a coming-of-age comedy simply doesn’t do justice to the artistry, emotion, and filmmaking skill. Generation Wrecks …continue reading Dances With Films: Generation Wrecks
At the intersection of our desire for love and our obsession with perfection lies the well-crafted dramatic horror short “A Good Couple”. There’s a …continue reading Short Takes: A Good Couple
There’s plenty of fun to be had with this micro-budget ode to grindhouse glory, but there’s surprising substance beneath the splatter. “HAS THE DRILL …continue reading First Look: Rust Belt Driller (2021)
This week on the Bloodhound Pix Podcast, it’s our Indie Spotlight, and we are celebrating two of the best, must see horror comedies of …continue reading Bloodhound Pix: Indie Spotlight (12 Hour Shift | Hawk and Rev)
“Wade in the Water” is a deeply touching, sad and funny, quirky drama that impossibly hits all the right notes and features poignant performances. …continue reading Reel Review: Wade in the Water
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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