Join us for a sinfully sapphic good time as we discuss lesbian vampires — sinking our teeth into a couple of classics with an expert …continue reading Not Your Final Girl: Lesbian Vampires
Fantastic Fest brings the immortal Countess Elizabeth Bathory back to life in the stunning new 4K restoration of Harry Kumel’s lesbian vampire classic DAUGHTERS OF DARKNESS.continue reading Fantastic Fest: Daughters of Darkness (1971)
Our next stops on our trip around the horror world are in Belgium and The Netherlands to check out two wonderfully weird exports from …continue reading Around the World in 80 Films: Belgium, Netherlands
In the second part of our three-part exploration of the lesbian vampire, we examine her explosion in popularity in 60s and 70s horror cinema. When …continue reading Legacy of the Lesbian Vampire (Part 2: Evolution)
Vampires often have a grab bag of personality disorders from what psychology calls the ‘Dark Triad’, but above all…they are huge jerks! Here’s why. …continue reading Vampires are Jerks: Examples in Film
“Daughters of Darkness” is a Hammer take on the Bathory legend, beautifully shot with a strong lead; a riveting tale of love, deceit, and …continue reading Flashback Friday: Daughters of Darkness (1971)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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