A vintage bed provides an endless nightmare for two couples stuck in a terrifying, deadly hallucination that uses their darkest secrets against them. When …continue reading Reel Review: The Dwelling (2019)
Halloween goes from magical to terrifying in this gore-filled horror anthology that treats genre fans to plenty of practical effects and twisted stories. Written …continue reading Reel Review: One Night in October (2017)
A spoiler-full look at Sean William Scott’s foray into the blood-soaked genre, “Bloodline”, a film that feels familiar but showcases great talent. Let’s get …continue reading Reel Review: Bloodline (2019)
Behind the Lens: Interview with Scott Beck and Bryan Woods, the talented writing team behind “A Quiet Place” and the wonderful new film “Haunt”. …continue reading Interview: Scott Beck and Bryan Woods (Haunt)
Writer/director Josh Hasty has assembled a prodigious group of horror icons and scripted them a stunningly macabre ‘80s style slasher with “Candy Corn”. Candy …continue reading Reel Review: Candy Corn (2019)
Well-executed and performed, the effective supernatural story “Ghost in the Graveyard” overcomes its limitations in stylish and visually arresting ways. Writer and director Charlie …continue reading Fade to Black: Ghost in the Graveyard (2019)
Blumhouse teams up with writer/director Owen Egerton to bring us a suspenseful story about the idea of imaginary friends, social media and urban legends. …continue reading Netflix and Kill: Mercy Black (2019)
The incomparable Lin Shaye stars in “Room for Rent”, a thriller that harkens back to the obsessive darkness of films like “Fatal Attraction” and …continue reading Reel Review: Room for Rent (2019)
Our staff heads to the theater to check out “Pet Sematary”, the highly anticipated remake of the Stephen King classic thirty years in the …continue reading Morbid Minis: Pet Sematary (2019)
Enter THE HOUSE for a unique and terrifying experience you’ll want to revisit time and time again; the potential to be an instant cult …continue reading Reel Review: THE HOUSE aka HUSET (2019)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message
Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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