
Josh Malerman’s novel “Bird Box”, and the film adaptation directed by Susanne Bier, delivers psychological horror through a realistic world gone mad. When I …continue reading Page to Screen: Bird Box (Novel and Film)
Josh Malerman’s novel “Bird Box”, and the film adaptation directed by Susanne Bier, delivers psychological horror through a realistic world gone mad. When I …continue reading Page to Screen: Bird Box (Novel and Film)
Letia Clouston’s “THE 6TH FRIEND” is an effective slasher that both embraces and shuns the stereotypes of female characters in horror. I have been …continue reading Reel Review: The 6th Friend (2019)
A low-budget dramatic thriller from High Octane Pictures, “It Lives Inside” struggles to gain momentum with a predictable plot and wooden characters. At the …continue reading Reel Review: It Lives Inside (2018)
Violent, bloody, and unapologetically graphic, “Animalistic” fits well within the rape / revenge canon — delivering the goods for fans of this sub genre. …continue reading Reel Review: Animalistic (2015)
Interview With Portuguese Filmmaker Jose Pedro Lopes, Director of The Forest of Lost Souls I recently had the pleasure to interview award-winning Portuguese director, …continue reading Exclusive Interview With Jose Pedro Lopes
A comparison of the classic 1983 novel by Stephen King and the 1989 film adaptation from director Mary Lambert When you hear Stephen King, …continue reading Page to Screen: Pet Sematary
Synopsis: One of the sickest bloodbaths in horror movie history occurs after a deranged stalker becomes obsessed with real life horror film critic Todd …continue reading A “REEL” HIDDEN GEM: Review of Indie Horror REEL (2015)
31 Days of Horror: Day 2 Homages are hard to pull off. It’s a fine line between loving reverence and blatant plagiarism. Lost After Dark (2015) …continue reading Reel Review: Lost After Dark
31 Days of Horror: Day 1 13 Eerie is a 2013 Canadian zombie horror film, helmed by first-time director Lowell Dean, about a group …continue reading Reel Review: 13 Eerie
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