It’s thriller week on the podcast as we discuss the recent 2022 sci-fi thriller “Rubikon” and the 2017 crime thriller “Let the Corpses Tan”. …continue reading Adventures in Movies: Rubikon/Let the Corpses Tan
Dark and timely, “Where the Scary Things Are” is a smart exploration of lost youth in the internet age that lingers long after watching. “I want …continue reading Reel Review: Where the Scary Things Are (2022)
“Children of Sin” is an atmospheric and timely throwback slasher featuring a demented villain and a great cast. It’s easy to see why one …continue reading Reel Review: Children of Sin (2022)
“Homebound” is further proof that character-driven horror movies can offer some great scares without having to use over-the-top tactics. Holly (Aisling Loftus) is understandably …continue reading Reel Review: Homebound (2022)
Though slow to unravel, “You Are Not My Mother” is a haunting and, at times, harrowing tale of a mother-daughter bond interrupted. Horror movies …continue reading Movie Night: You Are Not My Mother (2022)
A strong script from indie favorite Mickey Keating, paired with an outstanding lead performance, makes this a must-watch recommendation. Offseason is a horror movie …continue reading Reel Review: Offseason (2021)
The compelling, character-driven “Welcome to the Show” takes you on a wild ride as you try to unravel the mystery of what’s happening. Welcome …continue reading Reel Review: Welcome to the Show (2021)
Director Riley Stearns talks about his Sundance film, the sci-fi thriller “Dual”, plus making people laugh and being a good indie filmmaker. As writer-director …continue reading Sundance Interview: Riley Stearns (“Dual”)
These are five of the most memorable, innovative, affecting films from GenreBlast 2021 — from the sublimely weird to the darkly hilarious. I was …continue reading GenreBlast 2021: Five Film Favorites
Though the important and still relevant message gets lost in silly execution, “Abar” is a substantial film in Blaxploitation history. Of all the subgenres …continue reading The Films of F Street: Abar, the First Black Superman
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