

A journey into absurdity, with dialogue that often feels like a conversation within a Tibetan temple, “Blood Beat” is certainly an experience. A Woman …continue reading The Daily Dig: Blood Beat (1983)
A journey into absurdity, with dialogue that often feels like a conversation within a Tibetan temple, “Blood Beat” is certainly an experience. A Woman …continue reading The Daily Dig: Blood Beat (1983)
A couth tale of selling your soul to indulge impulses and immortality, “The Mephisto Waltz” is a mystery/thriller with a giallo sensibility. A dying …continue reading The Daily Dig: The Mephisto Waltz (1971)
A textbook exploitation film, “Nurse Sherri” has that quintessential seventies luster, while delivering on action way beyond its means; a worthy watch. A Nurse …continue reading The Daily Dig: Nurse Sherri (1978)
Vinegar Syndrome unleashes the Eurosleaze sexploitation possession flick “Malabimba” from the director of the Italian zombie classic “Burial Ground”. The latest Vinegar Syndrome release, …continue reading Syndrome Saturday: Malabimba (1979)
“The Assent” rises above your standard exorcism film, pulling you into its kaleidoscopic story of horror and leaving you guessing until the very end. …continue reading Reel Review: The Assent (2020)
Nicholas McCarthy’s “The Prodigy” is a disturbing supernatural story of nature versus nurture gone haywire. Can a mother’s love protect her only child? What …continue reading Reel Review: The Prodigy (2019)
Despite great performances solid effects and a strong ending, “Along Came the Devil” is weighted down by a poor script and lack of originality. …continue reading Reel Review: Along Came the Devil (2018)
Surprisingly dramatic, compelling and emotional, “WELCOME TO MERCY” gives a much needed jolt to the stagnant horror genre of possession movies. Like the zombie …continue reading Reel Review: Welcome to Mercy (2018)
Though the format now feels familiar, “e-Demon” proves there is still some great material to be mined from our fear of and addiction to …continue reading Take Two Review: e-Demon (2018)