“Superhost” tackles the creepy idea of homestays, while offering commentary on content creation and the validity of human experience. Two homestay vloggers find their …continue reading Reel Review: Superhost (2021)
“The Boys from County Hell” is a creative vampire film spiced with unique humor, fun scares, and a lot of heart; a stellar horror-comedy. …continue reading Shudder Sunday: The Boys from County Hell (2020)
Shudder’s “Fried Barry” is a psychedelic romp through Cape Town, South Africa, that continually surprises; the stuff of cult classic status. At its core, …continue reading Shudder Sunday: Fried Barry (2020)
With filmmakers eager to bring more Stephen King stories to the big and small screen, we look at ten of King’s most accurate adaptations. …continue reading Top Ten Accurate Stephen King Adaptations
“They Look Like People” is a masterclass in low-budget filmmaking that does not skimp on new, interesting ideas. … They Look Like People is …continue reading Flanagan Film Fest: They Look Like People
Blending modern technology and old-school horror, “The Toll” smartly leverages the gig economy’s horrific potential to its full potential. The Toll is a sharp …continue reading Reel Review: The Toll (2020)
Looking for something different to watch? “Blood Vessel” is fun and frightening — a unique take on the occult-driven World War II film. Seven survivors …continue reading Reel Review: Blood Vessel (2019)
From the moment it begins to the last scene, “The Stylist” is a near masterpiece of visual storytelling. It sets the tone for horror …continue reading Reel Review: The Stylist (2020)
The scariest horror story was easily 2020, but these indie fiction gems provided the perfect thrilling and chilling escape we needed. A “best of” …continue reading Flashback February: Best Horror Fiction of 2020
An absolute standout among this year’s excellent Fantastic Fest shorts, “The Three Men You Meet at Night” is now available to watch for free …continue reading Horror Short: The Three Men You Meet at Night (2020)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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