
The full moon beckons us back, and we’re here to howl our love for Ginger Snaps 2, in a special Women in Horror Month …continue reading The Cine-Files: Weekly Film Journal (2-2-18)

The full moon beckons us back, and we’re here to howl our love for Ginger Snaps 2, in a special Women in Horror Month …continue reading The Cine-Files: Weekly Film Journal (2-2-18)

“Curse of the Witch’s Doll” may not break any new ground in the killer toy sub genre, but it’s creepy and atmospheric enough to be worth …continue reading Reel Review: Curse of the Witch’s Doll (2018)

The kids aren’t alright in this startling beautiful and deeply disturbing thriller out of Poland that proves true horror is always human. I was …continue reading Reel Review: Playground (2016)

“The Cutlass” is a terrifyingly real thriller with stellar performances and excellent cinematography that will keep you guessing until the end. Inspired by true events, The …continue reading Reel Review: The Cutlass (2017)

OCD vs Old Ones: Jonathan Heap’s “The Unwilling” gets a lot of things right, including a stellar cast and great premise, but fails to fully …continue reading Reel Review: The Unwilling (2016)

“The Devil’s Well” is a found footage style paranormal film that makes up for its shortcomings with some effective scares and truly creepy atmosphere. …continue reading Reel Review: The Devil’s Well (2017)

Despite some great visuals and chilling moments, flawed production value and a limited script prevent “Bad Apples” from achieving all it sets out to …continue reading Reel Review: Bad Apples (2018)

“The Autopsy of Jane Doe” starts with an intriguing premise and follows through with solid execution, backed by a stellar cast and compelling performances. …continue reading Take Two Review: The Autopsy of Jane Doe

“Like Me” is a highly disturbing, visually arresting portrayal of a society obsessed with Internet fame that feels uncomfortably real. Like Me is an …continue reading Reel Review: Like Me (2017)

“House of Salem” impresses with its dedicated ensemble cast and dark material that avoids exploitation and schlock James Crow’s House of Salem defies genre …continue reading Reel Review: House of Salem (2016)
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