A gorefest Ozploitation film relying on literal cheap tricks to pull off the entire production, from digital special effects to reusing sets. Meteorites turn …continue reading The Daily Dig: Undead (2003)
“The Comic” has hints of the chaos of “Brazil”, the unruliness of “A Clockwork Orange”, and makes as much sense as “Fast and Furious”. …continue reading The Daily Dig: The Comic (1985)
A brilliantly executed, uncomfortably relatable dystopian nightmare, the genre-bending “Tin Can” is as mesmerizing as it is terror-inducing. Horror is at its most viscerally …continue reading Reel Review: Tin Can (2020)
A tense and gripping thriller with strong characters and outstanding performances, Netflix’s “Bird Box” has everyone talking — for good reason. Susanne Bier’s Bird …continue reading Reel Review: Bird Box (2018)
Visually stunning and backed by an impressive soundtrack, The Bad Batch feels very much like an artistic, dramatic/horror version of Mad Max. Although The …continue reading Take Two Review: The Bad Batch (2017)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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