
People often debate what is or isn’t horror. Good horror taps into our deepest fears, but what makes horror scary differs for everyone. What …continue reading Horror Fiction Writer Asks What Makes Horror Scary?

People often debate what is or isn’t horror. Good horror taps into our deepest fears, but what makes horror scary differs for everyone. What …continue reading Horror Fiction Writer Asks What Makes Horror Scary?

“Voices From Beyond” is a worthy finale to the career of Italian horror master Lucio Fulci, ripe with rank corpses and tense nightmares. A …continue reading The Daily Dig: Voices from Beyond (1994)

Exploring themes of guilt and grief creatively and compellingly, “The Ghost Lights” is moody and well-paced with solid writing and acting. Written and directed …continue reading Reel Review: The Ghost Lights (2022)

Heavy on atmosphere, this endearing late eighties gem will give you all the nostalgia feels you can handle. The story of a town’s deep …continue reading The Daily Dig: Lady in White (1988)

This black and white Japanese tale of snakes and witches is rooted in the evils of humankind rather than the supernatural. A young orphan …continue reading The Daily Dig: The Snake Girl and the Silver-Haired Witch (1968)

They say you can’t polish a turd, but they should also say you can’t rename a turd “Amityville” and expect it to be gold. …continue reading The Daily Dig: The Amityville Curse (1990)

A classic example of the cover art being the best part of the movie, this “ghost story” lacks both horror and ghosts! A band …continue reading The Daily Dig: Ghost Riders (1987)

A less than riveting haunted house tale told at a snail’s pace, this British gothic horror does at least feature Sir Christopher Lee. When …continue reading The Daily Dig: Dark Places (1974)

“The Creeping” is a simple but well-made and effective spookfest about a family home haunted — in the literal and metaphorical sense. Making good on …continue reading Panic Fest Review: The Creeping (2022)

The goofiest VHS horrors seem to always be occupational-based: “The Dentist”, “The Ice Cream Man”, and now, “The Carpenter”. A formerly institutionalized woman moves …continue reading The Daily Dig: The Carpenter (1988)
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