The creature effects in “Isolation” are small-scale but brilliantly executed, and the cast is watchable enough to warrant hours of story. Genetically modified cows …continue reading The Daily Dig: Isolation (2005)
An emotionally investing, empathetic look at rape and revenge through a unique perspective, “Rose Plays Julie” is compelling and important. Horror is a fluid …continue reading Frights and Feelings: Rose Plays Julie (2019)
In honor of St. Patrick’s Day, we celebrate Irish horror with the comedy slasher “Stitches” — as selected by our listeners. Welcome to Guilty Pleasures, …continue reading Guilty Pleasures: Stitches (2012)
Though slow to unravel, “You Are Not My Mother” is a haunting and, at times, harrowing tale of a mother-daughter bond interrupted. Horror movies …continue reading Movie Night: You Are Not My Mother (2022)
A daring commentary on gender roles, sexuality, and equal rights wrapped with an appealing gothic horror tale and even more appealing actors. A newlywed …continue reading The Daily Dig: The Blood Spattered Bride (1972)
Part devastating metaphor for mental illness and part terrifying Irish folk horror, Kate Dolan’s “You Are Not My Mother” is spellbinding. You Are Not …continue reading FGBFF Review: You Are Not My Mother (2022)
“A Dark Song” is a brooding, beautiful, often uncomfortable journey to the space between our world and the fantastical realm. … Written and directed …continue reading Flanagan Film Fest: A Dark Song
A comedy with a horror edge from the same mind that brought you the criminally overlooked Werewolf fantasy “The Company of Wolves”. When the …continue reading The Daily Dig: High Spirits (1988)
The Irish horror film “Red Room” isn’t perfect, but the dark and deeply disturbing look at human depravity and desire is chilling enough to …continue reading Violence and Voyeurism: “Red Room” (2017) Review
Blood Harvest is beautifully shot and presents an intriguing mystery, but it falters by delivering the crucial twist a little too late. Written and directed by …continue reading Reel Review: Blood Harvest (2017)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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