This week, we explore the mysterious celestial language known as Enochian, including its history and ties to magical lore and pagan practices. MORE ABOUT …continue reading Ominous Origins: Enochian (Language of the Angels)
Vampires are real. You might even know one.continue reading Ominous Origins: Modern Vampires
Curses and cursed objects are everywhere, or so it seems, so what makes the painting of a crying boy so special?continue reading Ominous Origins: The Crying Boy Painting
Stephen King’s ambitious novel “The Outsider” finds a worthy niche on HBO as a genre-bending supernatural mystery for the modern era. When watching HBO’s …continue reading Tune In Tuesday: The Outsider
While well made and boasting strong lead performances, “Exit 0” unfortunately lacks the necessary thrills to make it very memorable. Billy and Lisa are …continue reading Reel Review: Exit 0 (Eric B. Hughes, 2020)
The suspenseful 1982 horror film “Next of Kin” will make you wonder if anyone or anything can ever be fully trusted, including your own …continue reading Flashback Friday: Next of Kin (1982)
With engaging female leads, the neon vampire tale “Bite Night” is a rowdy crowd-pleaser and, despite a few technical hiccups, a trashy good time. …continue reading Horror-on-Sea Review: Bite Night
“Silver Stars on Red Velvet” approaches its low-brow material with a wink, offering an entertaining story that sadly gets held back by the film’s …continue reading Reel Review: Silver Stars on Red Velvet
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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