“The Wendigo” is a solid, found footage horror about the exploitative nature of social media and the lengths some will go to create content. …continue reading Reel Review: The Wendigo (2023)
“Influencer” is an unnerving, savagely smart social thriller that makes the most of its clever premise and outstanding performances. The truest legacy of influencer …continue reading Shudder Sunday: Influencer (2023)
“Followers” is a uniquely British and lackluster attempt to show just how far some will go to achieve fame in this social media-driven age. …continue reading Reel Review: Followers (2023)
If there’s one thing we always need more of, it’s more great horror films. We look for the next great story idea from four …continue reading The Four-Front of Horror: Story Inspiration
“Night’s End” is an easy watch with some great scares and an explosive ending, but there’s a feeling it could have been so much …continue reading Reel Review: Night’s End
To celebrate the upcoming Blu-ray release of “Superhost”, we interview star Gracie Gillam about her riveting role and her love of horror. Superhost is …continue reading Interview with Gracie Gillam from “Superhost”
Inventive, though predictable, the dark thrills in writer/director Will Wernick’s No Escape are still very entertaining! Social Media has changed who we are as a culture, and this film will leave you wondering how your interaction with the digital world has made you evolve. Is it for the better, or for the worst?continue reading Reel Review: No Escape (2020)
In “The Cleansing Hour”, director Damien LeVeck shockingly explores what would happen if an actual demon from hell decided to go global. Social media …continue reading Fantastic Fest: The Cleansing Hour (2019)
To conclude our series on online censorship, we talk with three creators in the indie horror space about how career damaging this kind of …continue reading Social Censorship: Indie Horror Creators Speak Out
You Can’t Kill Us All: “Assassination Nation” and What it Reveals About the Violence and Volatility of Teenage Girlhood in the Age of Social …continue reading Digging Deep: “Assassination Nation”
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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