With his feature film debut, director Emir Ezwan has delivered a chilling vision of horror and proved he is undoubtedly a filmmaker to watch. …continue reading Reel Review: Roh (aka Soul, 2019)
“Superhost” tackles the creepy idea of homestays, while offering commentary on content creation and the validity of human experience. Two homestay vloggers find their …continue reading Reel Review: Superhost (2021)
This British horror film may not be mainstream fare, but it’s a treat for the right audience — especially those craving something different. Wow. …continue reading Reel Review: The Snare (2017)
There’s nothing like the locked perspective of a single-room horror film to propel a story forward — especially when done this artfully. There’s nothing like …continue reading Terror Tuesdays: We Need to do Something (2021)
It may not be great, or even really good, but “Anna” delivers a few solid scares and isn’t a bad way to spend an …continue reading Tubi Tuesday: Anna (2017)
“Like a Dirty French Novel” is a low-budget labor of love; a bizarre film-noir mashup with interesting ideas beneath a schlocky exterior. I’m not …continue reading Dances With Films Review: Like A Dirty French Novel (2021)
“Night Teeth” may not recreate the vampire wheel, but it offers a fast-paced, fun, and wildly enjoyable new addition to the canon. Vampires have …continue reading Netflix and Chills: Night Teeth (2021)
Blending action horror, comedy, and 80s-style zombie madness with great gore effects, “Yummy” is difficult to classify but easy to love. Director Lars Damoiseaux, …continue reading Shudder Sunday: Yummy (2020)
Shudder exclusive “Martyrs Lane” is a beautiful, brightly lit horror story told from the perspective of a whimsical and brave young girl. Martyrs Lane …continue reading Shudder Sunday: Martyrs Lane (2021)
Perhaps no movie has made the journey from critical and commercial flop to misunderstood cult classic quite as quickly as “The Empty Man”. Based …continue reading Reel Review: The Empty Man (2020)
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