In this episode, “I Am Not Your Final Girl” author Claire C. Holland joins us to discuss horror, bad ass final girls, creativity, and …continue reading Not Your Final Girl Podcast Episode: The Mumblegore Gang
This month, we say goodbye to Sunnydale with an exploration of the complicated relationship between Buffy and Spike and the 2+ decade legacy of …continue reading I Spit on Your Podcast: The End of Buffy
One of the most powerful episodes of Jordan Peele’s The Twilight Zone, Replay, holds up the mirror to our own violent dimension.continue reading Real Life Horror: Injustice on “Replay”
This week’s recommendation is the classic tale of a siren bringing a sailor to his doom in a not so classic setting. Filled with hip-cats, carnival rides and a very young Dennis Hopper, this week’s Tubi Tuesday is 1961s Night Tide.continue reading Tubi Tuesday: Night Tide (1961)
Brandon Christensen, the director and co-writer of “Z”, talks about his inspiration for the film, his love of horror, and how the audience can decide for themselves whether the film is psychological or supernatural.continue reading Behind the Lens: Interview With Brandon Christensen
Sanzaru is a moving and disturbing exploration of how secrets have the power to haunt us more than any ghost.continue reading Fantasia Film Fest: Sanzaru (2020)
A long lost folk masterpiece, crafted with love and sorrow by a woman yearning for peace, brought into the light of the 21st century.continue reading Now Hear This: How Sad, How Lovely (Connie Converse)
Wes Craven’s The Last House on the Left is a divisive exploitation horror film, but it provides a look at what happens when women aid men in the active harm of other women.continue reading Digging Deep: The Last House on the Left
As heartbreaking as it is haunting, Brandon Christensen’s “Z” will leave you wondering what is real and what is a nightmare. Parenting is never easy, but when your family is turned upside because of your son’s evil imaginary friend, what’s a mother to do?continue reading Reel Review: Z (Brandon Christensen, 2020)
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