“Hell Night” contains all the tropes, archetypes, and clichés you’d expect in an early 80’s slasher film, yet it still holds up. Forced to …continue reading The Daily Dig: Hell Night (1981)
Special effects and tone drive the engine of this paean to cold war era sci-fi films, which started an award-winning career. After his ex-wife …continue reading The Daily Dig: Strange Invaders (1983)
A DIY black comedy with no shame and no studio restrictions flexes its creative muscle to reach cult status, with a heavy cheese topping. …continue reading The Daily Dig: Deathrow Gameshow (1987)
An amateur production with an amateur cast “The Child” stands as a reminder of how spoiled we are by trained filmmakers. Alicianne has been …continue reading The Daily Dig: The Child (1977)
The type of film that inspires a generation of outcasts to wear ill-perceived clothing and feel comfortable with their introversion. Eric is obsessed with …continue reading The Daily Dig: Fade to Black (1980)
Infamous for “the bathtub scene”, this cliché-ridden romp with Scream Queen royalty is best watched with friends; depraved friends. The sisters at 943 Sorority …continue reading The Daily Dig: Nightmare Sisters (1988)
“The Freakmaker” is a fun, turn your brain off type of film that pushes deep messages which feel too serious for the content. A …continue reading The Daily Dig: The Freakmaker (1974)
“The Believers” is a solid, under-the-radar thriller with an unbelievably strong cast and a script from “Twin Peaks” creator Mark Frost. A recently widowed …continue reading The Daily Dig: The Believers (1987)
An exercise in absurdity and silent film era expressionism, transplanted into 1980’s Manhattan, “Vampire’s Kiss” is a must watch. Peter Loew, a New York …continue reading The Daily Dig: Vampire’s Kiss (1989)
Similar to some of Horror’s biggest franchises, “Silent Madness” uses many successful elements of the next two decades, with lower quality. A clerical error …continue reading The Daily Dig: Silent Madness (1984)
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