“Frogs” is an early Eco-Horror that will make your skin crawl if you hold creature phobias. Come for the animals, stay for young Sam …continue reading The Daily Dig: Frogs (1972)
Light and easy, and in no way meant to be taken too seriously, “Wacko” could be the exact kind of mindlessly fun popcorn flick …continue reading The Daily Dig: Wacko (1982)
A reported favorite of Quentin Tarantino, “Dead End Drive-In” boasts award-nominated production design and an 80s enthusiast’s dream aesthetic. In a dystopian future (1995) …continue reading The Daily Dig: Dead End Drive-In (1986)
If you crave a taste of 80s flavor, look no further than “Nightmare Beach”; the clothes, the music, the cars, even the bad acting…it’s …continue reading The Daily Dig: Nightmare Beach (1989)
A heavy dose of black humor strikes a nice balance with the macabre plot in “Burke and Hare”; it’s 70’s sexploitation flare with a …continue reading The Daily Dig: Burke and Hare (1972)
Don’t hold “The Immortalizer” to some highfalutin standard. With a lack of focus and questionable acting, it’s pure cheese. It’s also pure entertainment. Running …continue reading The Daily Dig: The Immortalizer (1989)
Join us as we take you on a journey of discovery each week (Monday through Friday), to find buried video treasure from the 70s …continue reading The Daily Dig
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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