
When it comes to holiday horror, “Black Christmas” is royalty — with three very different takes each offering up a sinister seasonal treat. The festive …continue reading Triple Threat: Black Christmas

When it comes to holiday horror, “Black Christmas” is royalty — with three very different takes each offering up a sinister seasonal treat. The festive …continue reading Triple Threat: Black Christmas

“Baby Blood” is a deep and unnerving supernatural horror that lives up to its name with gallons of blood and brutal murder scenes. An …continue reading The Daily Dig: Baby Blood (1990)

On this week’s sinfully good episode, we discuss sex magic and living deliciously while exploring “The Love Witch” and “The Witch”. THIS EPISODE: “THE …continue reading Cheer and Loathing: Witchy Women

In honor of its anniversary, we celebrate the legacy of “Ginger Snaps”, tackling coming-of-age and female sexuality in an innovative way. Ginger Snaps is …continue reading Horror History: Ginger Snaps (2000)

On this episode of the cast, we chat with filmmaker John Berardo about his college slasher throwback with a modern twist, “Initiation”. THIS EPISODE: …continue reading New Horror Express: John Berardo (Initiation)

A vampire film with bite, “Jakob’s Wife” gives star Barbara Crampton one of the meatiest roles of her career — and it’s downright delicious. Jakob’s …continue reading Indie Spotlight: Jakob’s Wife (2021)

While women’s issues take center stage in front of a critical audience, the movie of the week (Mar. 7-13, 2021) is “The Company of …continue reading Headlines and Horror: The Company of Wolves (1984)

What “Cemetery High” lacks in polished execution, it makes up for in interesting and progressive (for the time) ideas about gender roles. This week’s …continue reading Tubi Tuesday: Cemetery High (1988)

Inventive, tense, and beautifully constructed, the feminist horror film “Darkness” announces Italian filmmaker Emanuela Rossi as a force to reckon with. First time director …continue reading Nightstream Film Fest: Darkness (2019)

New Zealand writer/director Roseanne Liang’s second feature film is a wonderfully crafted, surefooted, low budget juggernaut that never lets up. Where to begin with …continue reading TIFF 2020 Review: Shadow in the Cloud
Follow Us!