A comedy with blood and guts, this has all the right ingredients to be a cult classic and the quirkiness to thrive in grindhouse …continue reading The Daily Dig: I Bought A Vampire Motorcycle (1990)
Criminally underrated with a clear plot and expert practical effects from Steve Johnson, “Highway to Hell” is worth the price of admission. On the …continue reading The Daily Dig: Highway to Hell (1991)
Moved along solely by the cinematography of Italian master Mario Bava, this Gothic horror film is all style and no substance. A disgraced son …continue reading The Daily Dig: The Whip and The Body (1963)
Independent Distributors Kino Lorber, Film Distrib, Magnolia and Film Movement team up to help support local Alamo Drafthouse and Art House Theaters. It has …continue reading Support Alamo Drafthouse By Enjoying Virtual Cinema
Before we see if 2019’s “Parasite” takes home Oscar gold, experience the gold standard of 80’s sci-fi schlock with Charles Band’s “Parasite” from 1982. …continue reading Flashback Friday: Parasite (1982)
31 Days of Horror: Day 5 I’m a sucker for 80s slasher films — the good, the bad, and even the downright ugly. Thus, when …continue reading Reel Review: Savage Weekend
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message
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