If the end of the world brings us an epic showdown between Washington and Oldman like we get in “The Book of Eli”, bring …continue reading Spookshow: The Book of Eli (2010)
A post-apocalyptic pseudo-Western starring a fresh-faced Demi Moore and slug-like hand puppets, this didn’t quite predict 1992 correctly. In the aftermath of atomic fallout, …continue reading The Daily Dig: Parasite (1982)
Inventive, tense, and beautifully constructed, the feminist horror film “Darkness” announces Italian filmmaker Emanuela Rossi as a force to reckon with. First time director …continue reading Nightstream Film Fest: Darkness (2019)
An interesting twist on the survival thriller genre, “Radioflash” is a journey to a dystopian future where staying alive is the name of the …continue reading Reel Review: Radioflash (2019)
“The Last Man on Earth” is an absolute horror classic, a heartbreaking apocalyptic tale which highlights Vincent Price at his best. This week’s Tubi …continue reading Tubi Tuesday: The Last Man on Earth (1964)
“I Think We’re Alone Now” is a slow burning, visually stunning film revealing the loneliness of the human condition; Dinklage and Fanning are perfect! …continue reading Reel Review: I Think We’re Alone Now (2018)
In his feature film directorial debut, Josh Mendoza breathes new life into post-apocalyptic horror with the compelling and well-acted What Still Remains. What Still …continue reading Reel Review: What Still Remains (2018)
It Comes At Night is an intense, effective, original take on the post-apocalyptic genre that makes your think about your own mortality…and morality I recently …continue reading First Look: It Comes At Night (2017)
Survive the Horror I recently received my October Horror Pack, something I look forward to with great anticipation each month. It’s a great way …continue reading Reel Review: How to Save Us
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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