Art the Clown is finally back in “Terrifier 2”, and he’s more bloodthirsty, more twistedly hilarious, more unhinged, and better than ever. At the …continue reading Fantastic Fest 2022: Terrifier 2
A heartwarming and heartbreaking documentary about the power of art and the strength of the human spirit, “Me To Play” is a revelation. I …continue reading Real 2 Reel: Me To Play (2022)
“PussyCake” is a film for a very particular audience. But, if you’re a part of that audience, it’s virtually impossible not to love it. …continue reading Movie Night: PussyCake (2022)
Some like it weird, and “Extraneous Matter” more than delivers the surreal and subversive titillation, but it’s also strangely beautiful. For some, watching a …continue reading GenreBlast 2022: Extraneous Matter
“Tiny Cinema” is a Twilight Zone-inspired anthology with an absurdist twist — an unpredictable journey with the perfect tour guide. I first discovered the genius …continue reading Reel Review: Tiny Cinema (2022)
Beautiful, bleak, surreal, and enchanting, fans of films off the beaten path should “Squeal” with delight at this impressive dark fairytale. From the opening …continue reading Reel Review: Squeal (2021)
“Abject” is a surreal, low-budget horror film about a couple spiraling out of control during a secluded retreat to save their marriage. Let’s get …continue reading Microbudget Monday: Abject (2022)
From Aleksandra Hansen comes a new feature film, in need of your support — “Life at Sandy’s”, a high-concept, female-led horror film. We just …continue reading Fund It Friday: Life At Sandy’s (Feature Film)
A brilliantly executed, uncomfortably relatable dystopian nightmare, the genre-bending “Tin Can” is as mesmerizing as it is terror-inducing. Horror is at its most viscerally …continue reading Reel Review: Tin Can (2020)
A smart, surprising slow-burn that builds to a satisfying climax, the Argentinian horror film “Welcome to Hell” is a devilish delight. An unconscious pregnant …continue reading Reel Review: Welcome to Hell (2022)
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