Nature vs. Nurture is scrutinized in this tense and disturbing psychological thriller/found footage film from writer/director Tucia Lyman. A fascinating new variant of the …continue reading Reel Review: M.O.M. (Mothers of Monsters) (2020)
Relatable and unsettling, “Desolate Soul” is an uneven but compelling film that explores heartbreak through the lens of both horror and philosophy. In an …continue reading Indie Spotlight: Desolate Soul and The Lingering Ghost
While well made and boasting strong lead performances, “Exit 0” unfortunately lacks the necessary thrills to make it very memorable. Billy and Lisa are …continue reading Reel Review: Exit 0 (Eric B. Hughes, 2020)
A shipwreck survivor’s tale of perseverance and self-determination, “Sweetheart” is a tried and true creature feature with a fresh social message. Terror in paradise …continue reading Reel Review: Sweetheart (2019)
Exceptionally well made and well acted, the atmosphere of this slightly supernatural film carries it — along with the performance of its young lead. The …continue reading Final Girls Berlin Review: The Father’s Shadow
Leigh Whannell’s “The Invisible Man” is a must see, raw and cathartic cinematic experience that peers into the heart of female terror. Whannell brilliantly …continue reading Reel Review: The Invisible Man (2020)
Family, truth, and consequences are examined in this dark and compelling thriller anchored by a gritty lead performance from Bethany Anne Lind. The early …continue reading Reel Review: Blood on Her Name (2020)
“RIOT GIRLS” is a tale of badass heroines who aren’t defined by their queerness, though it’s as unapologetically in your face as their punk …continue reading Sapphic Sunday: Riot Girls (2019)
Though a box-office bomb, “Underwater” is an incredibly entertaining film that isn’t shy about what it is: a pulpy homage to Lovecraft. New Year’s …continue reading Films From Beyond: Underwater (2020)
“Wij” is a beautifully-shot but troubling coming-of-age tale about maladjusted teens who engage in acts of sexual depravity and personal destruction. “Poetry,” “beauty,” and …continue reading Reel Review: Wij (“We”, 2018, Netherlands)
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