
This formulaic 80s slasher film has enough intriguing elements to entertain, but it will not satiate a horror fiend’s bloodlust. A Bride-to-be killer moves …continue reading The Daily Dig: He Knows You’re Alone (1980)

This formulaic 80s slasher film has enough intriguing elements to entertain, but it will not satiate a horror fiend’s bloodlust. A Bride-to-be killer moves …continue reading The Daily Dig: He Knows You’re Alone (1980)

“Hell Night” contains all the tropes, archetypes, and clichés you’d expect in an early 80’s slasher film, yet it still holds up. Forced to …continue reading The Daily Dig: Hell Night (1981)

Special effects and tone drive the engine of this paean to cold war era sci-fi films, which started an award-winning career. After his ex-wife …continue reading The Daily Dig: Strange Invaders (1983)

A DIY black comedy with no shame and no studio restrictions flexes its creative muscle to reach cult status, with a heavy cheese topping. …continue reading The Daily Dig: Deathrow Gameshow (1987)

An amateur production with an amateur cast “The Child” stands as a reminder of how spoiled we are by trained filmmakers. Alicianne has been …continue reading The Daily Dig: The Child (1977)

The type of film that inspires a generation of outcasts to wear ill-perceived clothing and feel comfortable with their introversion. Eric is obsessed with …continue reading The Daily Dig: Fade to Black (1980)

Infamous for “the bathtub scene”, this cliché-ridden romp with Scream Queen royalty is best watched with friends; depraved friends. The sisters at 943 Sorority …continue reading The Daily Dig: Nightmare Sisters (1988)

“The Freakmaker” is a fun, turn your brain off type of film that pushes deep messages which feel too serious for the content. A …continue reading The Daily Dig: The Freakmaker (1974)

“The Believers” is a solid, under-the-radar thriller with an unbelievably strong cast and a script from “Twin Peaks” creator Mark Frost. A recently widowed …continue reading The Daily Dig: The Believers (1987)

An exercise in absurdity and silent film era expressionism, transplanted into 1980’s Manhattan, “Vampire’s Kiss” is a must watch. Peter Loew, a New York …continue reading The Daily Dig: Vampire’s Kiss (1989)
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