All Acts of Love and Pleasure Are My Rituals: The Inglorious History of the Representation of Queer Witches in Popular Culture. Witchcraft has been …continue reading A History of Queer Witches in Pop Culture
Two horror legends move from “Elm Street” to “Park Avenue” in Ryan Burton’s suspenseful new horror short “The Watcher of Park Avenue”. Up-and-coming filmmaker …continue reading Horror Short: “The Watcher of Park Ave”
Spidarlings is an extremely creative British punk rock/feminist horror musical, distributed by Troma, that entertains while delivering clever social commentary. If you scan the …continue reading Take Two Review: Spidarlings (2016)
Exclusive Interview With Actress / Writer / Director Stewart Thorndike, the Talented Filmmaker Behind “Lyle”, the Powerful Female-Driven Drama / Horror “A Mother Should …continue reading Women in Horror Profile: Stewart Thorndike
Wounded Ella is an uncomfortable but powerful short film about trying to fit in to a society that fears and hates those who are …continue reading Sneak Peek: Horror Short ‘Wounded Ella’
The highly anticipated Dolly Deadly sequel from Heidi Moore finds a new home with indie movie studio giant Troma Entertainment It was just announced …continue reading Troma to Produce LGBT script ‘Kill Dolly Kill’
Women Who Kill, the exceptional debut film from Ingrid Jungermann, is a smart, female-driven, refreshingly original dark comedy “Love isn’t romance, it’s survival.” We …continue reading Reel Review: Women Who Kill (2016)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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