
Having just celebrated World Mental Health Day, Jamie explores “Hill House”‘s Eleanor Crain as a representation of psychological trauma and depression. With the recent …continue reading The Rest is Confetti: On Being Eleanor Crain

Having just celebrated World Mental Health Day, Jamie explores “Hill House”‘s Eleanor Crain as a representation of psychological trauma and depression. With the recent …continue reading The Rest is Confetti: On Being Eleanor Crain

Inventive, tense, and beautifully constructed, the feminist horror film “Darkness” announces Italian filmmaker Emanuela Rossi as a force to reckon with. First time director …continue reading Nightstream Film Fest: Darkness (2019)

This month, we dive into the soul-sucking waters of trading passion for profits, while discussing Grady Hendrix’s killer book “We Sold Our Souls”. Episode …continue reading I Spit On Your Podcast: Spinster’s Book Club

A final blaze of glory for a former British horror powerhouse, “The Vampire Lovers” is a seductive adaptation of “Carmilla” with undeniable lesbian themes. …continue reading Sapphic Sunday: The Vampire Lovers (1970)

Building on the promise of her recent debut, Amelia Moses continues to carve a new path through familiar territory with her second feature BLOODTHIRSTY, a visceral and gruesome tale of nature versus nurture.continue reading Fantastic Fest: Bloodthirsty (2020)

Premiering at this year’s virtual Fantastic Fest, Jill Gevargizian’s THE STYLIST — the feature adaptation of her acclaimed short film — is an intimate and horrifying portrait of a lonely woman with a deadly obsession.continue reading Fantastic Fest: The Stylist (2020)

New Zealand writer/director Roseanne Liang’s second feature film is a wonderfully crafted, surefooted, low budget juggernaut that never lets up. Where to begin with …continue reading TIFF 2020 Review: Shadow in the Cloud

Lucio Fulci’s stylish giallo A LIZARD IN A WOMAN’S SKIN is a wild ride that navigates the conflict between repression and liberation, upper and lower class, and the old world and 70’s counterculture.continue reading Sapphic Sunday: A Lizard in a Woman’s Skin (1971)

Though We Summon The Darkness is clearly no masterpiece, this cheeky throwback slasher gives heavy metal and Alexandra Daddario the treatment they deserve.continue reading Movie Night: We Summon the Darkness (2020)
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