
Premiering at this year’s virtual Fantastic Fest, Jill Gevargizian’s THE STYLIST — the feature adaptation of her acclaimed short film — is an intimate and horrifying portrait of a lonely woman with a deadly obsession.continue reading Fantastic Fest: The Stylist (2020)

New Zealand writer/director Roseanne Liang’s second feature film is a wonderfully crafted, surefooted, low budget juggernaut that never lets up. Where to begin with …continue reading TIFF 2020 Review: Shadow in the Cloud

Lucio Fulci’s stylish giallo A LIZARD IN A WOMAN’S SKIN is a wild ride that navigates the conflict between repression and liberation, upper and lower class, and the old world and 70’s counterculture.continue reading Sapphic Sunday: A Lizard in a Woman’s Skin (1971)

Though We Summon The Darkness is clearly no masterpiece, this cheeky throwback slasher gives heavy metal and Alexandra Daddario the treatment they deserve.continue reading Movie Night: We Summon the Darkness (2020)

Showcasing stellar on and off screen talent, “Amulet” weaves together a tapestry of genre influences and complex themes for a chilling, evocative gem. A …continue reading Indie Spotlight: Amulet (2020)

Known for its progressive portrayal of a lesbian character in the 1960s, Robert Wise’s THE HAUNTING is also a tragic tale of a woman who cannot accept the terrifying truth about herself.continue reading Sapphic Sunday: The Haunting (1963)
















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