While The Tent is weakened by a relatively thin story and unbelievable chemistry, its tender moments are affective and moving.continue reading Reel Review: The Tent (2020)
Graphic novel “The Empties” spins the traditional zombie story into a darkly comic tale of romantic dysfunction, betrayal, and cannibal carnage. The Empties, a …continue reading Fund It Friday: The Empties (Renee Gorlitz)
Michaelbrent Collings’ Terminal: an otherworldly presence plays a twisted game that forces the characters to choose who will live and who will die. Terminal, …continue reading Now Read This: Terminal (Michaelbrent Collings)
A stunning directorial debut from A.T. White, “Starfish” is a deeply personal and beautiful apocalyptic tale of loneliness, loss and Lovecraftian horror. “Is this …continue reading The Haunting Melody of “Starfish” (2018)
‘Hidden’ is a must see for apocalypse horror fans Hidden is an easy to miss film, since it is only out on-demand or DVD and never …continue reading Reel Review: Hidden (2015)
I was a bit apprehensive at first upon hearing the news of a new Cloverfield film. After viewing the film, I have to admit …continue reading Reel Review: 10 Cloverfield Lane
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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