We brave the brutal and nasty French horror film “Martyrs” and explore why it’s often cited as one of the greatest horror films of …continue reading Final Girl on 6th Ave: Martyrs (2008)
Shudder brings the best of shocking French extreme horror to American audiences, and if this is your maiden voyage, buckle up tightly. The words …continue reading Shudder Sunday: French Extreme Horror
Remastered and re-released, Fabrice du Welz’s acclaimed debut “Calvaire” is powerful enough to convert even non-believers like this reviewer. This marks my first review …continue reading Reel Review: Calvaire (2004/2023)
It’s the return of date night! And we’ve got 5 fantastic, LGBTQ-friendly films sure to deliver the perfect mix of chills and cuddles. Now …continue reading Date Night: Five Great LGBTQ Horror Films
Our next stop on our journey around the horror world is France, a country known for its shocking, extreme, and boundary-pushing genre films. Welcome …continue reading Around the World in 80 Films: France
The French film “Inside” is brutal, bloody and brilliant — a nightmarish holiday horror film, aptly titled as it is guaranteed to get inside your …continue reading Holiday Horror: Inside (2007)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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