Video Rewind tells the stories behind forgotten VHS favorites from the video store era, one rental at a time! This month’s movie is Brainscan (1994).continue reading Video Rewind: Brainscan (1994)
“Up on the Glass” is a tense, well-crafted thriller about the class divide and the conflict between beautiful illusions and ugly realities. Jack DiMercurio …continue reading Reel Review: Up On the Glass (2020)
A tight script, steady direction, and outstanding performances by the movie’s leads makes The Oak Room an outstanding feature film at Fantasia International Film Festivalcontinue reading Reel Review: The Oak Room (2020)
Violence and bloodshed is the name of the game in the world premier thriller For The Sake of Vicious from co-directors Gabriel Carrer and Reese Eveneshencontinue reading Reel Review: For The Sake of Vicious (2020)
While The Tent is weakened by a relatively thin story and unbelievable chemistry, its tender moments are affective and moving.continue reading Reel Review: The Tent (2020)
Director Gregory Lamberson successfully infuses Widow’s Point with terror, humor, Lovecraft, and a touch of pulp, all centered around a show-stopping performance from Craig Sheffer.continue reading Reel Review: Widow’s Point (2019)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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