The relative obscurity of Gary Sherman’s Dead & Buried only makes its unassuming assault on the subconscious that much more effective and Stan Winston’s effects that much more special.continue reading Shudder Sunday: Dead & Buried (1981)
“Scream, Queen!” has a lot on its mind but more on its heart, as the unlikely story of a gay horror icon making peace …continue reading Shudder Sunday: Scream, Queen!
Unfairly resigned to silly shorthand for Blaxploitation horror, “Blacula” is essential vampire cinema that, like its tragic hero, hasn’t aged a day. It’s not …continue reading Shudder Sunday: Blacula (1972)
Though often overlooked in the pantheon of religious horror, “God Told Me To” remains Larry Cohen’s most dangerous film, as well as his most …continue reading Shudder Sunday: God Told Me To (1976)
A documentary series as tricky as its subject, “Cursed Films” never lets superstition get in the way of its damaged, disturbed, dearly departed humanity. …continue reading Shudder Sunday: Cursed Films (Docuseries)
Australia’s great lost film has aged like fine rotgut — an examination of apocalyptic masculinity more potent than ever, with a lingering aftertaste. Trigger Warning: …continue reading Shudder Sunday: Wake in Fright (1971)
The loosest of Stuart Gordon’s Lovecraft adaptations is also the hardest to watch, as much for the nasty things in the basement as the …continue reading Shudder Sunday: Castle Freak (1995)
John Carpenter’s Apocalypse Trilogy goes out laughing at a world done in not with slimy abominations or bad paperbacks, but a collective shrug at …continue reading Shudder Sunday: In The Mouth Of Madness (1994)
Between “Night” and “Dawn”, Romero stepped away from the undead to make a witchy rumination on suburban feminism that struggled no matter what he …continue reading Shudder Sunday: Season of the Witch (1972)
Give yourself over to the arcane charms of “The Love Witch,” Anna Biller’s Technicolor love story turned feminist parable. Shudder Sunday gives me an …continue reading Shudder Sunday: The Love Witch (2016)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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