In Hellraiser: Judgment, some new ideas are brought to the franchise, but it’s not enough to whet the desires of the Hellraiser fanbase. I …continue reading Reel Review: “Hellraiser: Judgment” (2018)
We celebrate Women in Horror Month with a couple of outstanding female performances in two very different but very memorable films, Avenged and Antibirth. …continue reading The Cine-Files: Weekly Film Journal (2-16-18)
With a great script, a stylish look, and a star-making performance by the exceptional female lead, Close Calls is definitely one to watch out …continue reading Sneak Peek: Close Calls (2017)
This is a story about love, family, money and…rat poison? “Spent” is a highly original, darkly funny film, but it may only appeal to …continue reading Reel Review: Spent (Lisa Mikitarian, 2017)
While I love a good horror comedy, BUTCHER THE BAKERS fails to fully satisfy; A tasty idea, but it needs more time cooking. Horror …continue reading Reel Review: Butcher the Bakers (2018)
While the idea of this female-centric, supernatural horror film promises a killer good time, the devil is in the details…and the execution falls flat. After …continue reading Reel Review: The Campus (2018)
The surprise release of “The Cloverfield Paradox” on Superbowl Sunday caused a buzz, but does the Netflix exclusive score big or is it a …continue reading Reel Review: The Cloverfield Paradox (2018)
We travel back in time to explore the stylish and compelling finale to the Ginger Snaps trilogy, Ginger Snaps Back: The Beginning. It’s week two …continue reading The Cine-Files: Weekly Film Journal (2-9-18)
In honor of Women in Horror Month, I am shining a spotlight, dripping of blood, on the underrated vampire horror/thriller Temptation. Director Catherine Taylor’s …continue reading Reel Review: Temptation (2009)
You can come on in, but there’s not much to see: A review of the newest Netflix original film “The Open House” Matt Angel …continue reading Reel Review: The Open House (2018)
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