This week on the podcast, we attempt to peel back the layers from “Men”, Alex Garland’s complicated treatise on gender relations. MEN (2022) Carolyn …continue reading Final Girl on 6th Ave: Men (2022)
IFC Films’ “Resurrection” is a powerfully acted, thrilling ride that keeps audiences on the edge of their seats until its final shot. Resurrection is …continue reading Reel Review: Resurrection (2022)
With creative kills, an entertaining cast of characters, and unintentional humor, “Siege” is an action flick from Canada worth seeking out. F Street is …continue reading The Films of F Street: Siege (1983)
“Homebound” is further proof that character-driven horror movies can offer some great scares without having to use over-the-top tactics. Holly (Aisling Loftus) is understandably …continue reading Reel Review: Homebound (2022)
More soap-opera than slasher, this mystery thriller — which resembles the seventies — has a small bite and a quiet bark. A woman unhappy …continue reading The Daily Dig: Nightkill (1980)
The concept is intriguing, but “Escape the Field” doesn’t do enough to keep from getting lost in a field of more compelling content. It …continue reading Reel Review: Escape the Field (2022)
A solid Giallo film that drops the ball a bit when the “whodunnit” is revealed, “Eyeball” is still a fun watch. A killer cuts …continue reading The Daily Dig: Eyeball (1975)
“Like Dogs” is a clever and compelling psychological horror film that once again proves the adage that humans are the scariest animals. Remember those …continue reading Reel Review: Like Dogs (2021)
“Confession” boasts an intense, real-time thriller — one priest, one wounded man, one night in a church. Is it sinfully good or a holy mess? …continue reading VOD Verdict: Confession (2022)
While the well-acted “Master” is a decent and decidedly watchable film, many viewers may wonder who exactly this film was for. Modern horror dramas …continue reading Terror Tuesdays: Master (2022)
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