Editorial: Some things are up for debate and discussion. But Joe Bob wrote for problematic site, and there’s really no way around that. According …continue reading Joe Bob Briggs Controversy: The Point We’re Missing
Horror is more than a genre; it’s a community. And it’s made great by inclusivity, diversity, and respect for each other — and for our …continue reading Joe Bob Brought Me Here
“The Dark Room” is a short with a creative premise and great potential, but if fails to maintain the excitement or tension established early …continue reading Horror Short: The Dark Room (2020)
Every clown has their day. Not every clown is great, and neither is every day. But one day reigns supreme for trashy clowns, and …continue reading Garbage Day: Clowning With “Killjoy”
Rise of the Black Vampire: In honor of Women in Horror Month and Black History Month, we explore the role of black women in …continue reading Black Women in the Era of Blaxploitation Horror
A shipwreck survivor’s tale of perseverance and self-determination, “Sweetheart” is a tried and true creature feature with a fresh social message. Terror in paradise …continue reading Reel Review: Sweetheart (2019)
In celebration of Black History Month, Chaos and Carnage revisit the lingering horror of “Night of the Living Dead”— still relevant 50 years later. A …continue reading They Mostly Podcast at Night: Night of the Living Dead
We talk with genre scholar Valeria Villegas Lindvall about the feminine relationship to horror and the power of the genre to challenge power structures. …continue reading Women in Horror Interview: Valeria Villegas Lindvall
In celebration of Black History Month, Chaos and Carnage summon the spirit of Candyman five times to find out what all the buzz is …continue reading They Mostly Podcast at Night: Candyman
Lupita Nyong’o deserved to be recognized by the Academy for her nuanced and eloquent dual performance in Jordan Peele’s “Us”. Not only is Lupita’s …continue reading The Subversiveness of Lupita Nyong’o in “Us”
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