While not everything works, “Maria’s Tale” attempts to do something different within the found footage sub genre, and it succeeds in many ways. Synopsis: …continue reading Reel Review: Maria’s Tale (2018)
Welcome to the fifth and final part of my favorite found footage films series, where I’ll be revealing my pick for the best found …continue reading Best Found Footage and Faux Docs (Part 5)
Welcome to part four of my favorite found footage films, where we’ll explore some of the creepiest and most chilling encounters with the unimaginable. …continue reading Best Found Footage and Faux Docs (Part 4)
Welcome to part three of my favorite found footage films, where we’ll be looking at some of the scariest and most effective faux documentaries. …continue reading Best Found Footage and Faux Docs (Part 3)
Welcome to part two of my favorite found footage and faux documentary films, designed to prove this beleaguered sub genre is capable of producing …continue reading Best Found Footage and Faux Docs (Part 2)
Though a controversial sub genre, there are great found footage and faux doc films worth your time. Here’s part one of my list of …continue reading Best Found Footage and Faux Docs (Part 1)
As if you needed a reason to watch more horror, we explore the proven benefits of fear and the many types of genre films …continue reading Watch More Horror: Genre Film Benefits and Types
After a successful inaugural year, The Unnamed Footage Festivals returns to San Francisco for a three-day celebration of found footage horror. The second annual …continue reading The Unnamed Footage Festival 2019
Blending elements of several sub genres, “Wretch” is a rich and compelling psychological thriller/supernatural creature feature that keeps you guessing. Wretch follows three friends …continue reading Reel Review: Wretch (Brian Cunningham, 2018)
We check in to The Abaddon Hotel to review the highly anticipated found footage/mockumentary “HELL HOUSE LLC II: THE ABADDON HOTEL” now on Shudder. …continue reading Reel Review: Hell House LLC 2 (2018)
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